I’m a composer, originally from Yorkshire (UK), currently living in Copenhagen, and studying in Aarhus (DK). I often work at an intersection between music for instruments and voices; electronic sound; text; video; and performance. My work regularly engages with a re-contextualisation of everyday sounds, objects, and automatic, repetitive behaviours to reveal the latently musical in the banal.

 

Recent pieces have involved, amongst other things, documentary techniques; self-reflexivity; audience participation; repetition; custom-built, tactile electronic instruments; YouTube comments sung by a choir and virtual singer soloist; and spatialised orchestral music performed on top of mountains, in train stations, in swimming pools, and in remote communities.

 

Recent commissions have come from SPOR Festival (for Duo Van Vliet), Riot Ensemble / Huddersfield Contemporary Music Festival (for percussionist Sam Wilson); The Night With… (for The Hermes Experiment); Hebrides Ensemble / Edinburgh Book Festival; The Cumnock Tryst (for the Scottish Chamber Orchestra); and Cryptic Glasgow.

 

My music has been programmed at festivals such as: Darmstädter Ferienkurse (DE); Huddersfield Contemporary Music Festival (UK); Matera Intermedia (IT); St Magnus International Festival (UK); Visiones Sonoras (MX); EviMus (DE); Sound-Image (UK).

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I am a member of Aarhus-based composer-performer group Current Resonance, regularly contributing to meticulously curated intermedial events. As a performer, I have played music by artists such as Jessie Marino, Louis d'Heudieres, James Saunders, Joss Smith, Lil Lacy, Simon Løffler, Caitlin Rowley, Nina Fukuoka, John Zorn, Heather Frasche, Michael Hope, Mikołaj Laskowski and Monika Szpyrka, as well as regularly performing in my own work.

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