ABOUT

I’m a composer, originally from Yorkshire (UK), currently living in Copenhagen and studying in Aarhus (DK). I often work at an intersection between music for instruments and voices; electronic sound; text; video; and performance. Recently, my work has engaged with a re-contextualisation of everyday sounds, and automatic social and physical behaviours.

 

My latest pieces have involved documentary techniques; self-reflexivity; repetition; choreography; modified & prepared acoustic instruments acting as disfiguring filters for 19th century music; custom-built, tactile electronic instruments such as paintbrush synthesizers and mini-vibration motors; soundwaves visualised in fire; quotation; a virtual singer and choir singing YouTube comments; gamification; performance of awkward and mundane verbal interactions; unedited field recordings; and spatialised music for street orchestra performed on top of mountains, in train stations, in swimming pools, and in remote communities.

 

Recent commissions have come from Riot Ensemble / Huddersfield Contemporary Music Festival (for percussionist Sam Wilson); The Night With… (for The Hermes Experiment); Hebrides Ensemble / Edinburgh Book Festival; The Cumnock Tryst (for the Scottish Chamber Orchestra); Cryptic Glasgow; Sasha Savaloni (guitarist) / Current Resonance; Tom Poulson (trumpeter of Stockholm Chamber Brass); Nevis Ensemble (street orchestra); and Live Music Now (for the Dohnányi String Trio).

 

In 2018, 10 Seconds, written for 9 players and 4-channel audio was awarded the Dorico Award at The Scottish Awards for New Music. During the same year I was Composer-in-Residence with Scotland's Street Orchestra, Nevis Ensemble and was one of 12 composers involved with Yaron Deutsch’s Electric Guitar Etude Project at the Darmstädter Ferienkurse.

 

My music has been programmed at festivals such as: Darmstädter Ferienkurse (DE); Huddersfield Contemporary Music Festival (UK); Matera Intermedia (IT); St Magnus International Festival (UK); The Cumnock Tryst (UK); Occupy the Pianos (UK); Visiones Sonoras (MX); EviMus (DE); Sound-Image (UK), Leeds Lieder (UK) and at venues such as Newcastle's Sage Gateshead; Edinburgh's Usher Hall; London's St John's, Smith Square; Aarhus’ Musikhuset; and Mexico City's Ex Teresa Arte Actual.

I've had the opportunity to work on my music with artists and ensembles such as: Royal Northern Sinfonia; Curious Chamber Players; percussionist Sam Wilson (Riot Ensemble); Hebrides Ensemble; Red Note Ensemble; The Hermes Experiment; The Assembly Project; K!ART; Ligeti Quartet; Gildas Quartet; Nevis Ensemble; pianists Rolf Hind and Andrew Zolinsky; guitarists Frederik Munk Larsen and Sasha Savaloni; bassoonist Ben Hudson (Psappha Ensemble); and clarinettist Fernando Domínguez. 

My debut electroacoustic EP Palettes was released on New York based label Not Art Records, and Daily Rituals for amplified quartet and playback, performed by The Hermes Experiment was released on TNW Music’s ‘Live Vol. 1’.

My music has been written about and reviewed in various publications including Positionen, The Guardian, TEMPO New Music Journal, and I CARE IF YOU LISTEN.

 

I graduated from the Royal Conservatoire of Scotland in 2018, where I studied composition with David Fennessy and Dr. Linda Buckley, electroacoustic composition with Dr. Alistair MacDonald, and jazz guitar with Kevin Mackenzie. Having recently competed a Master's degree, I’m currently studying with Niels Rønsholdt, Juliana Hodkinson and Simon Steen-Andersen on the Soloist programme (Advanced Post-graduate Diploma) at the Royal Academy of Music, Aarhus (Det Jyske Musikkonservatorium).

I am member of Aarhus-based composer-performer group Current Resonance, regularly contributing to meticulously curated intermedial events.

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Photography by @jadefrancesphoto 

"...contemporary music that recognised no boundaries whatsoever." - Keith Bruce, The Herald

"...The most striking (piece was) Matthew Grouse’s Left Right, Left Right, performed by percussionist Sam Wilson." - Andrew Clements, The Guardian

"...a quirky electro-acoustic melange of mundane ritual." - Ken Walton, The Scotsman