(timpani and field recording)
stereo field recording
Clipping takes disturbance or interference of everyday moments of tranquillity as its starting point. The field recording was made without foam windscreens on the microphones, and the recorder’s input level was set high enough to enable any significant gust of wind to cause the recording to distort digitally (a sound almost exclusively associated with ugliness or poor audio practice). This results in harsh interruptions to the ambient environmental sounds. The performer has to react to and mimic the contours of these interruptions, using a small variety of prescribed playing methods and largely relying on their improvisatory intuition. The extracted ten minutes of audio are unedited and provide the fixed temporal framework for the timpanist’s actions.
Maria Rullestad Teigen - Days of Percussion 24.11.19, Lille Sal, Royal Academy of Music, Aarhus - 20:00
Maria Rullestad Teigen - Current Resonance Festival 26.10.19, Kammermusiksal, Royal Academy of Music, Aarhus - 20:00
Joshua Dunbar - noise.pocket : 4 pieces 11.02.19, Ledger Recital Room, Royal Conservatoire of Scotland, Glasgow - 13:00