Matthew is a composer working in acoustic and electronic sound, text, video and performance
"...contemporary music that recognised no boundaries whatsoever." - Keith Bruce, The Herald.
ctrl+Y selected for FMS2021 (Score Follower)
March 12th, 2022
ctrl+Y, first performed by Curious Chamber Players was selected for Score Follower's open call, and has now been uploaded to the incipitsify YouTube channel.
CLICK HERE to watch!
NYE VEJE - Dansk Komponist Forening Working Grant
December 22nd, 2021
Matthew is enormously grateful to be one of four recipients of the NYE VEJE scholarship, which is aimed at supporting a lengthy artistic process.
About his work, the committee said (roughly translated from Danish):
Matthew Grouse's music is bursting with inner life and technical surplus. With a sharp analytical and perhaps satirical outlook, he introduces everyday technologies, google-searches read aloud and banal actions placed on an equal footing with traditional instruments, in works that manage to engage and retain the listener. Through the desire to reach even closer to his audience, among others, by creating more installation-based and audience-participatory works, Matthew Grouse has embarked on a fruitful development of his art.
Read more about the grant here
ctrl+Y selected for Ung Nordisk Musik Iceland 2022
September 24, 2021
ctrl+Y  for four performers and live electronics, originally written for Curious Chamber Players, has been selected as one of four works that will represent Denmark in the 2022 edition of Ung Nordisk Musik Festival, which is set to take place in Reykjavík.
Riot Ensemble and hcmf// Zeitgeist commissions
June 30, 2020
LEFT RIGHT, LEFT RIGHT is now available to stream:
Matthew is one of 6 composers to receive a Zeitgeist Commission in partnership with Riot Ensemble and Huddersfield Contemporary Music Festival. He will be collaborating with Sam Wilson on a new work for percussion, live electronics and video. Find out more about the project at the following link:
Daily Rituals released on The Night With ... Live Vol. One
March 06, 2020
A live recording of Matthew's 'Daily Rituals', performed by the Hermes Experiment has been released amongst other pieces from The Night With's 2019 season. The album is available to buy through
http://tnwmusic.com/ and on all major streaming platforms.
Track listing (disc 2):
18. Daily Rituals - I. Autopilot (excerpt from letter F)
19.Daily Rituals - II. Verisimilitude
20.Daily Rituals - III. and what do you do after that?
CONTACT premieres at Cryptic Nights 2020
January 06, 2020
Matthew and Andy Sowerby's third collaboration, CONTACT will be premiered at Glasgow's Contemporary Centre of Arts as part of Cryptic Nights 2020. The event will be on the 26th March and will be preceded by screenings of two earlier audiovisual works by the pair, 'Scratch' and 'Eye of the Storm'. CONTACT is an interactive AV show that foregrounds the touch sense and makes use of multi-channel projections; custom-built tactile electronic instruments; prepared, electronically processed violin (performed by Harry Gorski-Brown); audio-reactive video; and at times, music being felt through vibration motors rather than heard.
Concerts and talks in Mexico
August 11, 2019
Matthew is incredibly grateful to have been invited to travel to Mexico for 2 weeks at the end of September, courtesy of CMMAS www.cmmas.org & Cryptic Glasgow as part of SHUM, a 3 year collaboration program for artistic exchange between Anglo Arts, British Council, CMMAS and Cryptic.
The world premiere of his solo clarinet piece 'Apertures' will be given by Fernando Domínguez, member of Onix Ensemble @ the 15th anniversary of Visiones Sonoras Festival in Morelia. Matthew will also be presenting some talks on his music at the festival's conference and at ENES of UNAM Universidad Nacional Autónoma de México.
As a concert extension of the Visiones Sonoras Festival, Matthew will end the trip by performing some of his electronic & audiovisual work at Ex Teresa Arte Actual in Mexico City alongside Alex Menzies who will present his beautiful piece 'So Below'.